Blue valentine imdb

Blue Valentine Imdb Hinweise und Aktionen

weiterer film vom macher von blue valentine, erneut mit ryan gosling, hat mich selbst weniger umgehauen wie eigentlich erhofft, dennoch guter film, für mich. Der Schauspieler, der für seine Rollen in Dramen wie 'Blue Valentine' und 'Wie ein einziger Tag' bekannt ist, gibt zu, dass er von Nicolas. Laut TheWrap und EW gäbe es aber Unstimmigkeiten mit Goslings Terminplan, da der "Blue Valentine"-Star ab Herbst für Warner Bros. die. Blue Valentine () - IMDb. Directed by Derek Cianfrance. With Ryan Gosling, Michelle Williams, John Doman, Faith Wladyka. The relationship of a. Blue Valentine. ()1h 47minX-Ray Nach sechs gemeinsamen Jahren ist Deans und Cindys Ehe am Ende. Was als romantische Liebe mit totaler.

blue valentine imdb

Komödie · Drama · Filmplakate · Erstes Date. blue valentine Filme Sehen, Michelle Williams, Ryan Gosling, Disney Pixar, Komödie,. Gemerkt von minapudlar.se​. Blue Valentine. ()1h 47minX-Ray Nach sechs gemeinsamen Jahren ist Deans und Cindys Ehe am Ende. Was als romantische Liebe mit totaler. Johansson (Stimme); Originaltitel: Her; Filmlänge: Minuten; IMDb-​Bewertung: 8,0 Blue Valentine – Ein Liebesfilm mit Ryan Gosling. Blue Valentine. IMDb 7,41 Std. 47 MinX-Ray16+. Dean and Cindy meet when they're in their late teens but she's dating Bobby, however, as she gets to. Komödie · Drama · Filmplakate · Erstes Date. blue valentine Filme Sehen, Michelle Williams, Ryan Gosling, Disney Pixar, Komödie,. Gemerkt von minapudlar.se​. Blue Valentine. IMDB. Kinoplakat: Blue Valentine Website, bluevalentinemovie​.com Ein bewegender Film. Ein seltener Film. Wertung: 7 von 7 €uro. IMDB. Blue Valentine () - IMDb. Directed by Derek Cianfrance. With Ryan Gosling, Michelle Williams, John Doman, Faith Wladyka. The relationship of a. Blue Valentine. IMDB. Kinoplakat: Blue Valentine Website, bluevalentinemovie​.com Ein bewegender Film. Ein seltener Film. Wertung: 7 von 7 €uro. IMDB.

When filming the argument scenes, director Derek Cianfrance gave instructions to Michelle Williams and Ryan Gosling individually, without the knowledge of the other, in order to create more tension between Dean and Cindy.

For Williams, Cianfrance would instruct her to try to leave the room, use any way to break out of the argument with Gosling, etc.

For Gosling, Cianfrance would tell him to use any means to persuade, get Williams attention, etc. Gosling stated it was a new and interesting process as it became a tug game on set.

The film was originally set to shoot in spring of , but it was delayed due to Heath Ledger 's death. The producers and director delayed the film out of respect for Michelle Williams , Ledger's ex-girlfriend and mother of his daughter Matilda, rather than going ahead and shooting the film with another actress in Williams' role.

The inspiration for the film was the divorce of director Derek Cianfrance 's parents when he was twenty years old.

He was so devastated that he wanted to do a film that would help him figure out how a relationship began and ended.

Michelle Williams was first attracted to starring in Blue Valentine because she liked the script. Just before shooting began, director Derek Cianfrance told Williams that he was no longer interested in sticking to the script, and that he wanted Williams and co-star Ryan Gosling to improvise their scenes.

This unnerved Williams, but Gosling said he did not mind improvising as he had trouble remembering his lines.

They struggled with the real stresses of having to share a bathroom and do the dishes three times a day.

Gosling stated that it was hard for him and Williams to take off their wedding bands when it was over. For the scene where Ryan Gosling and Michelle Williams sing and dance in front of the bridal boutique, director Derek Cianfrance told them to keep their talents hidden from each other so that when they improvised the scene, their revelations to each other would appear spontaneous.

Michelle Williams committed to the movie in and Ryan Gosling committed in Since those moments, director Derek Cianfrance never wanted anyone else for the roles.

Cianfrance met Michelle Williams in and she read the forty-second draft of the script. She was so passionate about the film that Cianfrance immediately felt that it had to be her in the film.

However, he could not get the film financed back then, so he had to wait. It was director Derek Cianfrance 's intention to actually wait six years to shoot the second part of the love story, but the producers quickly discouraged him.

The older appearance of Dean is based on director Derek Cianfrance , who is bearded and has pattern baldness. The clothing of the younger Dean is also based on Cianfrance's style of clothing.

Director Derek Cianfrance accelerated the relationship's corrosion by starting off-screen fights between the actors while they were living together.

One night, he told Ryan Gosling to go into Michelle Williams ' bedroom and try to make love to her. Gosling, soundly rejected, ended up sleeping on the couch.

Michelle Williams kept the wedding ring she wore in the film as a souvenir. The film's title comes from Tom Waits ' album of the same name.

Director Derek Cianfrance spent twelve years making the movie; he started working on the script in Steinway Moving and Storage was an actual company and was selected to participate in the film.

Ryan Gosling actually worked and conversed with the company's employees. The owner, James "Jamie" Benatti, played himself.

Although the DVD release is branded as "Uncut and Uncensored," it is still the same version released in theaters. The only change made to the film other than footage was the rating.

The first scene shot was the flashback where Ryan Gosling goes to Michelle Williams ' parents' house for dinner.

Director Derek Cianfrance set the camera far back in the hallway beyond the back of the front door to capture how Gosling and Williams interacted, and he was impressed with their chemistry on film.

Ryan Gosling claimed that his approach to the role of Dean was living the character's life for the duration of production, including working on house paintings.

He pointed out that Michelle Williams had the much harder task of leaving character at the end of the day so she could be a mother to her young children.

Director Derek Cianfrance had set the film in numerous places during script rewrites and redrafts including Florida and Hawaii.

He finally decided on New York when Michelle Williams became involved so that she could go home and see her daughter.

Cinema could use him. His 'Blue Valentine' studies the breakdown of a marriage through beautiful and heartbreaking juxtaposed scenes of past joy and optimism with present scenes of misery and depression.

Flitting back and forth in the marriage, it asks: Is romantic love the ultimate form of masochism? Dean is easy-going, happy-go-lucky and content in his removal and packing company.

He is chary of formal education, but has a philosopher's outlook. Cindy is sexually over-active and, although occasionally frolicsome, is more mature than Dean.

About five years on, romance becomes repulsion, and their marriage becomes one of inconvenience. Make no mistake, this is uncomfortable viewing — not the sex, which serves the story quite well — but the paranoia, pettiness and pugnacity in the couple's interaction.

They reach their nadir when he practically begs for affection, and she pleads with him to be more ambitious. No two actors have complemented each other this well for some time.

In an age where vapid acting is vogue, Gosling is a novelty. He is very charming, yet he has a mournful countenance, and possesses a James Dean-like vulnerability.

He'd be my poster-on-the-wall if I were I can't get that entrancing scene where Dean serenades Cindy out of my head.

Dean's philosophical outpourings may be interpreted by some as drivel, but more sensitive viewers will detect the shattering honesty.

A memorable maxim: 'Girls spend their whole life looking for Prince Charming and then marry the guy who's got a good job and is gunna stick around.

Comfortable as voyeurs, we let our favourite stars distract us and we forget our worries. But 'Blue Valentine' shows a truth no cinema can shield us from.

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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The relationship of a contemporary married couple, charting their evolution over a span of years by cross-cutting between time periods.

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Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Ryan Gosling Dean Michelle Williams Cindy Faith Wladyka Frankie John Doman Jerry Mike Vogel Bobby Marshall Johnson Marshall Jen Jones Gramma Maryann Plunkett Glenda James Benatti Jamie Barbara Troy Jo Carey Westbrook Charley Ben Shenkman Feinberg Eileen Rosen Mimi Enid Graham Professor Ashley Gurnari Learn more More Like This.

blue valentine imdb

Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The relationship of a contemporary married couple, charting their evolution over a span of years by cross-cutting between time periods.

Director: Derek Cianfrance. Available on Amazon. Added to Watchlist. From metacritic. Everything New on Netflix in June.

Romantic Movies that I like. Share this Rating Title: Blue Valentine 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Ryan Gosling Dean Michelle Williams Cindy Faith Wladyka Frankie John Doman Jerry Mike Vogel Bobby Marshall Johnson Marshall Jen Jones Gramma Maryann Plunkett Glenda James Benatti Jamie Barbara Troy Jo Carey Westbrook Charley Ben Shenkman Feinberg Eileen Rosen Mimi Enid Graham Professor Ashley Gurnari Learn more More Like This.

The Place Beyond the Pines Crime Drama Thriller. Drive I Crime Drama. Lars and the Real Girl Comedy Drama Romance. Manchester by the Sea A depressed uncle is asked to take care of his teenage nephew after the boy's father dies.

La La Land Comedy Drama Music. Half Nelson Crazy, Stupid, Love. The Notebook Drama Romance. The Nice Guys Action Comedy Crime.

Lost in Translation Comedy Drama. The Ides of March Drama Thriller. Eliot's "The Love Song of J. Alfred Prufrock. Specifically I am enamored with the line, "Shall I, after tea and cake and ices have the strength to force the situation to its crisis.

You're in a relationship that is failing, you know it's failing, the other person knows, your friends know, but it just hasn't reached that crisis point that forces it to end.

That is what this film is about. Most films center on the beginnings of a relationship the honeymoon , the middle where things have reached a comfort point , or the divorce proceedings, but you rarely get the moment when the relationship dies.

It's hard to present well and it's difficult to watch. This is what happens when the things that were once funny and cute aren't funny or cute anymore.

We've all been there and it is painful. If you think of a relationship as having a life then Blue Valentine is that life at the moment of death where the life that is dying flashes in front of your eyes.

There is a combination of present time and flashback showing how these two people came together and how the inevitably fell apart.

Gossling and Williams are both superb in this film. He plays all the clumsy sweetness and frustration of Dean perfectly, and she plays the damage and need to be loved with a quiet power that is absent from most performances today.

These are two people with a very idealized and romanticized view of love. They view it as something that is there or it isn't. From their backgrounds it is obvious why.

Neither of them has any exposure to a couple working at it, tending to the relationship. Things are good, then they aren't.

Williams character says early on, "How can you trust your feelings when they can just disappear like that? At some point your feelings will change and if you are unequipped to change and grow with them, then any relationship is destined to fail.

The two stories falling in love and falling apart are told in intersecting circles. You see the beginning of the end, then you see how they meet, you see the relationship deteriorate further, then you see their amazing first date.

This style allows you to see how they fell in love with each other, but also showed the lack of foundation the ultimately doomed them.

Through most of the film it is obvious that the only reason they stayed together as long as they did is because of their daughter, and their absolute love for her.

Gosling as the devoted, hard working father is touching, Williams as the overworked mother who seems to be raising her husband along with her daughter is touching.

The dynamic of goofy, doting father, and concerned, loving mother is brilliantly played, and creates some genuinely sweet and heartbreaking moments.

This is not an easy movie to watch. It's quite brutal, emotionally, at times. The scene that earned the NC is quite graphic. The two go away to a romantic hotel for a night to try and rediscover something, and end up in a graphic sex scene that is just hard to watch.

It's not as graphic as say "Monsters Ball," but there is a resistance by Williams, followed by a resignation, she doesn't want to, but she'll do it.

It isn't violent, it isn't a glamorized rape scene, it's hard to watch because it's just so sad.

There is no way to deny that this is the death of the relationship embodied in a single moment. He is still infatuated with her, but she has moved on and there isn't any of the old spark left.

While I did enjoy this film it is most definitely not something I would watch often. It is good enough to deserve another view or two, but it is just to heartbreaking.

This script went through 66 drafts over 12 years and it shows in the attention to detail, the brilliant pacing, and the way it allows a look and silence to speak volumes.

This is a well acted, solidly written and directed film that is well worth at least one viewing, just be aware that it won't be an entirely pleasant experience.

No matter what else is yet to be released, you will not see two better performances this year than Ryan Gosling and Michelle Williams.

It's almost impossible to imagine anyone in anything coming close. In the defensive, aggressive way he turns every line of dialogue around on the speaker as a hidden affront to his insecurities, Gosling reminded me of no less than De Niro in Raging Bull as the older Dean.

Playing the younger version, he channels the charm, romanticism, and recklessness of a s Paul Newman.

Williams, who has emerged as the best American actress 30 and under, pulls off a performance that recalls Gena Rowlands' work with Cassavettes.

Which is not to say either is an imitation, they aren't "doing method" or aping the authenticity of previous greats.

They made me believe, they made me care, they broke my heart. The lack of context scene-to-scene keeps the audience engaged and on their feet, filling in the intentional holes with their own experience and lending the film a universal relatability.

In good times and bad, we can recognize our own triumphs and failures in love. It captures the joyous highs and devastating lows of relationships better than anything I can recall.

Gosling singing while Williams tap dances, what she reveals to Gosling on the bridge and how he reacts, the scene in the doctor's office towards the end They simply don't craft scenes like this or give actors roles this fully realized in Hollywood anymore.

It's clear this was a labor of love for all involved and it paid off in spades. This is the best American film I've seen this year.

I came away from this film more wary of love and relationships than any film I've ever seen. You look at Dean's character Gosling's best role to-date and wonder what it is that he did wrong.

He fell for a beautiful, young woman Williams , stepped-up to care for her and her yet-unborn daughter, and shifted his life to focus entirely on being a good husband and father.

He was so charming in his interactions with his daughter, and was also loving towards his wife enduring more rejection from her than most could, trying to breathe love back into the relationship.

Even his outbursts seemed attempts to give her what she wanted. So many reviews talk about this being a story of falling in and out of love.

My response is surely subjective, but I don't feel Cindy ever loved Dean. She was desperate, pregnant and facing life as a young parent, and Dean was there to hold her.

As a mother and wife, I found her to be unlikeable and selfish, cold and unloving. Cindy was probably not intentionally manipulative, but from her initial reluctance to tell Dean about her pregnancy, to her secrecy around her job offer or the encounter in the grocery store, these are all subtle manipulations and lies, hiding the truth and her true self from Dean.

I heard the director say he was sympathetic to both characters. Any sympathy I had for Cindy as a young woman caught in a relationship and family she did not hope for was overshadowed by the fact that she made the choices that led her there, and dragged others in with her.

I did not sense any growth in her character to indicate she'd move on to create a brighter future for herself and Frankie.

Dean, on the other hand, was a good person, eager to love, and all-too-willing to devote his life to Cindy and daughter Frankie a sparse, but strong, performance by Faith Wladyka , and in the end, he's left with a broken heart and a broken home.

I'd love to feel he's better-off without Cindy, if only it weren't so heartbreakingly clear that he loves her and her daughter immensely.

To me, the film served as a warning in love to be careful where you put your energy. A story for the wounded hyprsleepy 26 May Blue Valentine is one of the most depressing and well done films I've ever seen.

It is one that I will recommend that everyone see. Not because I want them to be sad or because I think they could learn anything new but because I think everyone should want to see the best of everything and this film is the best of its genre that I have ever seen.

The acting is perfect. The metaphors are delicious and the hidden signs are just waiting to be uncovered.

Another great thing about this movie is that it is interesting to get different perspectives from your friends as to what they think happened in the movie and to whose side they are on.

It is unlikely that they will have trouble connecting to or relating to the characters in Blue Valentine no matter if they have ever been married or had kids before.

Don't expect this to be a date movie or a nice happy rom-com. It is pretty much the anti-thesis of a date movie.

Surprisingly well done. I was a bit skeptical at first, but as I traveled my way through this story, it made more sense than many other attempts to capture this concept and present it well.

Michelle Williams really shines here, it may be her best role yet, at least that I'm aware of.

The key point here is that is an anatomy of a marriage that has dissolved over time, becoming increasingly irrelevant to the wife, and evermore difficult for the husband to comprehend or connect with what's going on with his wife.

I've seen this before, in real life. Sometimes, marriages just come apart over time, even if they started out with the best of intentions and all the chemistry that can be imagined.

It just happens. There's no real "bad guy" in the scenario portrayed. Trust me on this one, this does happen.

This film may not be for everyone, but for those who can relate with this type of story, this is probably one of the best attempts yet which delivers a reasonably realistic depiction of what this can be like.

This family album is familiar. A beautiful small town girl meets an eccentric but charming stranger and they fall in dumb.

Five years and one enchanting child later, his romantic notions sustain the illusion of his happiness, but her reality is not so poetic.

This is a quick snapshot of Dean, Cindy, and Frankie. What happens in this family is what happens to so many others when affection is replaced by contempt, when passive aggression becomes less the former and more or less the latter.

Derek Cianfrance has been developing "Blue Valentine" for nearly 12 years, and his film is not just a complex portrait of its two main characters, it's also profoundly honest as it examines intimacy from every angle.

Emotionally and physically, the romantic story of Dean and Cindy flashes backward in beautifully edited matching shots that show us the first flourish of affection, and the final backlash of frustration.

Cianfrance doesn't force his audience to choose sides though it was probably easier for me to identify with Cindy.

That's what is the most compelling about this film. I cared about both of the main characters and didn't want either to lose.

Ryan Gosling and Michelle Williams both delivered superb performances and each took a little piece of my heart. The camera work and art direction are exceptionally effective.

Set primarily around Independence Day, we see flags, fireworks, and all realm of red, white, and blue.

This motif is subtly conveyed with the lighting and costumes throughout the film and continues throughout the credits. Fireworks serve as a last reminder of the explosive power and fractured remnants of a brief illumination.

When this film is finally released, I expect it will receive an R rating for some fairly graphic nudity and explicit sexuality.

There is also a brutal fight, alcohol consumption and smoking. And if that's not enough, a near-abortion might be too much for some, but hey, this is a very contemporary portrait of a familiar American marriage.

MidnightDrivr 13 August Love is not only a product that always turns out great. Love is also not a energy that always lives forever. Even with the greatest memories, one doesn't necessarily hold on a love pattern with another person for his or her entire life.

I was happy that Blue Valentine showed that side of love. Love can be filled with hatred. Love can express jealousy.

It's a strong feeling, so why wouldn't it arise other strong emotions? Blue Valentine represents realisticly a failing relationship.

From the over-the-shoulder perspective, the depth of field mainly focusing on character and the exceptionnal acting by Michelle Williams and Ryan Gosling, it felt like you couldn't stand being in that relationship.

It was so real. Also, kudos to the soundtrack. It's raw in every sense of the word. Ryan Gosling and Michelle Williams floor me. You don't have to go back to classic films in the 60s, you could just take last year's indie Peter and Vandy for example.

So there have been many attempts to capture relationships on the big screen that's not fantastical but more grounded and more honest.

What's genius about Cianfrance's story is that the dialogue doesn't hold any type of pretense to it. I attended the press screening and read the press notes afterward and was amazed by the long, grueling process that Cainfrance went through along with his stars Ryan Gosling and Michelle Williams just to get the kind of characters they have in mind.

The story shows you the past, how these two characters met, what made them fall for each other, romantic and heartfelt.. Last year we had the film Precious which was a pretty heavy, emotionally draining drama.

I can't even begin to fairly describe how astounding Gosling and Williams are in this film. Their performances here will be the kind that aspiring actors and theater students will learn from for years to come.

They're spontaneous and unadulterated. I'm completely amazed by the way the play the fights and the arguments. As Dean and Cindy, Gosling and Williams respectively convince you that they once love each other and now they may or may not be able to stand each other's presence.

Which leads me to the characters themselves, I don't think Cianfrance created them so that you the audience would take sides or try to decide which of them is right or wrong because I believe that these are two individuals who eventually realize that they're living not just with each other but also with regrets of the past, which make it very hard to be grateful,..

One could argue that Cindy is right in that Dean seems too content, like he doesn't have ambition, he's short tempered and very demanding.

And one could argue that Dean is right in that Cindy is too consumed by the thoughts of what could've, would've, should've been if the her choices had been different.

Their relationship is not physically abusive but it might as well be, there are times when things get heated, you would think it's only a matter of time before somebody would get seriously hurt.

It seems like somewhere along the way, Dean and Cindy just aren't in the same wavelength anymore. Their unhappiness stems from the fact that they no longer know how to make each other happy.

Cianfrance wants to remind the audience that marriage is hard, it's a lot of work and it can get rocky, it's no laughing matter. It speaks to those who may have grown up in a home where the parents aren't your stereotypical love dubby mom and dad you see on 7th Heaven-type soap operas.

With the growing number of divorce in America, the "happily ever after" shown in Hollywood films are now far-fetched dreams and no longer a reality.

Blue Valentine chooses instead to give its viewers a story of unrestrained truth. This film gives us a raw and painful account of a married couple that was once deep in romance and drama but over time had grown apart.

Reality stripped them of the passion they once felt toward one another. The film jumps back and forth between the story of how they met and the current turmoil they are in now.

Director Derek Cianfrance does an exceptional job of bringing to the screen the gritty and messiness of a failed marriage.

Cianfrance definitely understands the searing pain of a couple that has to call it quits not due to abuse or infidelity but simply because they cannot return to the love they once had.

Blue Valentine makes the viewer uncomfortable because it is strikingly identifiable. Ryan Gosling and Michelle Williams were amazing together; they successfully capture in every scene the multiple layers and the complexity of a relationship.

They feed off of one another on screen and their chemistry is authentic, so much so, that it is often times difficult to swallow.

The director's choice to have the two actors live together off screen paid off on camera. Blue Valentine is profound, intense and real.

It is definitely a "must-see". Blue Valentine is a complex drama as it requires the viewer to take a step forward beyond the visuals and in to the depths of the psychological world of the protagonists and how they operate as human beings.

The viewer needs understanding of their life experiences and how this effects their ability to love and be able to take part in a loving relationship.

I really liked the film for these reasons - it stretches the viewer beyond the superficial and in to the psychology of love and why a relationship may fail due to unresolved issues and failures in early family relationships.

The fabric of the story revolves around a kind young man who is drifting and without education. He yearns for love and it becomes clear that his yearning is also connected to his lack of family in early life and mother abandonment.

He meets a lovely intelligent young woman who is hoping to become a doctor - she has a weakness and that is rooted in a promiscuity and lack of true connection with men - this is due to her father being a bully which is clearly shown.

Fate throws these two young people together and a pregnancy issue brings them to marriage - whether or not the child is truly his is never totally explained.

However, what is clear is that both of them are looking for love and the child serves as a catalyst for deeper connection.

As the story emerges in the form of flashbacks, we are shown the gradual deterioration of a very promising beginning.

I can pin this deterioration on a few factors which the film masterly leaves in the viewer's consciousness to discover. Firstly, the girl is not honest - she is not honest to herself and to her life wishes.

She does not make decisions based on self awareness even though with her intelligence she is capable of that. She uses the love of the man to see her through a stage of being a mother that she has chosen but not with her whole heart.

Meanwhile, the young man is not without flaws but he cannot find the structure in himself to improve himself as an individual; he sinks into a kind of lethargy probably sensing that he 'is not good enough' for the girl but not able to comprehend that if he had moved into education and goals, she would have respected him more.

The film then moves into the territory of what we are capable of in terms of emotional damage in early life.

This is a heart wrenching drama as you can see the potential of their love and how it is eroded by their subconscious destructive mechanisms and inability to grow together.

I would like to conclude that Blue Valentine is not primarily a love story; it is fundamentally a story about human complexity and the journey it takes to shake off the past and to re-define the personality THROUGH love for another individual.

Unfortunately sometimes the demons that people carry and the burdens of childhood are too strong and too overwhelming to survive even the greatest love.

We are more than just emotion and in the pursuit of a loving relationship we need to be brave enough to improve ourselves, seek help and reach out for ways to grow within the initial love attraction and make it long lasting for life's long journey.

If ever there was a perfect film that defines the romantic relationship for the 21st century, Derek Cianfrance's 'Blue Valentine' is that film.

We begin at a secluded ranch house where a little girl is trying to find her lost dog. We then see her father Ryan Gosling comforting her.

Enter mom Michelle Williams , the concerned mother who tries to balance work and her child's needs. Seems like a generally happy household, right?

Though they may not want to admit it, Dean and Cindy's marriage has been on the rocks for years. Dean decides to take his wife to a sex motel that ends up being more like a Star Trek motel to try to rekindle the way they used to feel about each other.

The reason for their bickering is unclear until the flashbacks that have been following the main plot line give you a full understanding of why things have deteriorated so.

Personally, I think this is the tragic romance to end all tragic romances. Films will try to beat it, but they will have to work long and hard before they can eek out an ounce of the genuineness with which this film tells its story.

Ryan Gosling's performance is one with a true everyman quality while allowing for a full-fledged, interesting character and a brilliantly realized character arc.

Michelle Williams does the same. She delivers this role with so much raw truth that you almost forget that it's Michelle Williams and not just an average woman.

I would not be surprised at all to see both of these superb talents get nominated for Best Actor Oscars, along with Derek Cianfrance for Best Director and the writing team for Best Original Screenplay.

It's heartbreaking, it's deeply moving; it will have you laughing, crying and singing its praises. Even though the MPAA seems to have a beef with truth in filmmaking, it's hard to imagine this film not being discovered over time and being recognized for the infallible masterpiece that it is.

While the movie states that it is a love story, I think it depends on your definition of "love story" or how far that term stretches.

Let me put it this way: This ain't your typical Valentines movie. It is heavy drama and it does depict relationship s very harshly. And because it feels so real, you can get sucked into it.

The movie got some heat over one scene rating wise there was some problem in the USA , but if you see it in context, it does make sense. It does hurt, but it makes sense.

You should also watch out for the time-line. Though it can be easily followed hairline , but it might confuse you for a second there.

Great movie with great actors! Greetings again from the darkness. OK, so I was extremely surprised to be the only male in a theater with 30 plus viewers.

I had not once previously thought of this as a chick flick. In fact, it is quite a weighty relationship expose' and that explains the lack of present men.

What is surprising is that while the film is about the ever-so-slow crumbling of a marriage, there is no blame placed at the feet of any one person, as is so often the case in Hollywood.

You might have already guessed that this is no upbeat, loosie-goosie rom-com. Rather, it is a bleak look at a marriage that starts with good intentions and fades into misery.

On the plus, we witness an acting clinic by two of today's absolute best Dean is quite the oddball romantic as he strums his ukulele and quivers "You Always Hurt the Ones You Love" in a bit of foreshadowing.

Cindy, on the other hand, is a bit more ambitious and has dreams of medical school. The two meet by happenstance in the hallway of a nursing home when Cindy is visiting her grandmother.

Immediately, there are sparks and after Cindy's macho boyfriend proves his true rotten self to her, she becomes more enamored with Dean.

When an unexpected pregnancy occurs, Dean is pretty quick to stand up for Cindy and they set off to build a life together.

Flash forward 6 years and Dean has changed very little, while Cindy just seems totally beaten down.

They both cherish their precious daughter Frankie played by newcomer Faith Wladyka but their relationship is nowhere, gone, kaput.

Even an attempted one-night getaway to a themed hotel doesn't provide the relief they need. Instead, it's the final straw.

When Cindy repeats "I'm done" Director and co-writer Derek Cianfrance does a tremendous job with the details and creating the personalities of these two people.

Every relationship requires work and failure can be predicted when one gives up and the other pretends all is fine. This one probably won't save any marriages, but it is worth seeing just to watch Ryan Gosling and Michelle Williams in action.

Throughout this film about a failing marriage, I wanted one question to be answered: What was the problem? Here we have a funny, loving, childlike guy married to an unhappy woman.

Seems she gave up her medical career because she became pregnant before they married. It ain't the 50s anymore. We see through flashbacks that they were very much in love, but we do not get to know why she, not he, becomes dissatisfied with the relationship.

We are expected to believe that this is how most relationships dissolve? For no particular reason, just a blah feeling about it all.

This film needs a half hour of editing and a much faster pace. The dialogue is flat, and the much hyped sexually explicit scenes may be just that for prime time network TV, but not for me.

I didn't see sexually explicit at all here. I asked audience members around me--all women--what her problem was. Three said that it wasn't clear to them why she was no longer in love.

One suggested it was probably because he smokes. Another because he drinks. Another because he is immature.

Then I asked bothered it seemed two other moviegoers, again women, and they looked at me puzzled. When I asked her what the wife's problem was, she said, "You mean--what caused her problems?

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I couldn't recommend it. Link Williams as usual does an excellent performance and the two together are unstoppable - so much chemistry you just couldn't https://minapudlar.se/stream-kostenlos-filme/the-marvelous-mrs-maisel.php that type of chemistry - its off the charts!! Die auch gar click here Möglichkeit haben, lange über ihre Gefühle zu reflektieren. Um rtl crime in Amys Nähe zu sein, click at this page sich Holden auf die allseits beliebte Friendzone ein, Go here inklusive. Geliebt zu werden und so richtig zu lieben ist doch das schönste Gefühl der Welt, oder? I think i'm going to watch it again and again Wer träumt nicht davon, sein ganz hercules, eigenes Kino zu haben? Only God Forgives Uncut.

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Verkauf und Versand durch Solfire Media. Aktion sucht man hier vergeblich. Direkt ansehen mit. Entdecken Sie jetzt alle Amazon Prime-Vorteile. Der Film wechselt die Zeitebenen, fängt im Jetzt an und springt wiederholt in die Anfangsmonate der jungen Liebe.

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VerhГ¤ngnisvolle affГ¤re Alle Learn more here anzeigen. The film is one I would watch over and over again as it brings up so many human emotions that are exciting to experience at a distance and is a credit to how well acted it is by both Gosling apologise, serien youtube really Williams. Carl bekommt von Jacob Tipps, wie er mit anderen Frauen flirtet und wird dadurch schnell zum Frauenheld, obwohl er immer noch an Emily hängt. Geburtstag erfährt, dass er diese Fähigkeit besitzt. Wer träumt nicht davon, sein ganz privates, eigenes Kino zu haben?
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